In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet. Working with video and performance art, Kim assembles encounters, sounds, sculptures, and images inspired by his alternating homes in Seoul, Amsterdam, and New York. Bringing together Korean culture, the history of performance and film, and inspiration from pioneering artists such as Joan Jonas, Kim’s practice is a robust and complex mode of visual story-telling. Engaging with Korea’s history, modernity, architecture, and social structures, as well as notions of urbanity, domesticity, and matriarchy, Kim merges narrative and documentary forms. The artist often interweaves real footage and interviews from a variety of sources with more poetic sequences of text or choreography. Sound and musical compositions are significant elements in many of Kim’s video works; the soundtracks are often developed by the artist’s frequent collaborator, the musician David Michael DiGregorio, also known as dogr.