Photography is Tomoko Yoneda’s primary medium. Influenced by both journalism and archaeology, the London-based artist tries to minimize subjectivity in her work and keep her subjects as real and open as possible, leaving space for interpretation by the viewer. Often the sites she documents appears insignificant and nondescript, lacking any visual references that might trigger direct associations with historical events. Their lengthy titles, however, reveal the identities of the places by providing historical and political context. The haunted feeling generated by the emptiness of the locations evokes unsettled spirits of the past, and seems to invite a moment’s reflection.