Wu Tsang’s work is often framed in terms of her identity as a trans woman of color. But Tsang deals in rejecting the simplistic confines of identification. For those who are culturally what Tsang refers to as “multi-multi”, simple descriptors become inefficient to describe realities which bloom in the liminal spaces between speakable meaning. Tsang’s practice is part of a body of largely collaborative work produced in the form of performances, events, installations, films, and videos. Merging these artistic forms with grassroots activism and community organizing, she maintains a fluid, unfixed practice intent on questioning the role of the artist in relationship to certain marginalized groups.