Korea born and Singapore based multimedia artist Yeyoon Avis Ann explores the possibility of re-contextualizing ideas of production and the possibility of “breezier production with good ventilation”—as conveyed by the artist herself. The “breeziness” here refers to her flexibility and embracement to serendipity when choosing to work with whichever materials that encapsulates the ideas best. Avis’s works experiment with the possible relations and hybridizations of heterogeneous elements such as virtual and reality, text and music, visual and music, subjective thoughts and objective facts. Her practice refuses to be simply defined by the current framework of mediums. Working prolifically across installations, sound, and video, Avis' interests include artistic methodologies, computer thinking and modes of production.