Here, We Breathe
Here, We Breathe, A4 x KADIST Video Exhibition
Elena Damiani, La Decanatura (Calderón & Piñeros), Luiz Roque, Pedro Neves Marques, and Uudam Tran Nguyen
Here, We Breathe is the second iteration of the annual A4 x KADIST series of curated programs that aim to create new ways to participate in the discourse of new media art and close the gap between the audience and new media art. The group exhibition examines the relationship between the past, the present, and ecology through moving images from the KADIST collection.
When we discuss “ecology”, what are we referring to? The etymology of “eco” comes from the word oikos in ancient Greek, which means a large family unit composed of houses, family members, farmland, and other properties. Yet, we also understand it as the cohabitating microorganisms, animals and plants, human society, urban and rural spaces, as well as the interplay between macro and micro emotions, objects and objects, and objects and ourselves. Fundamentally speaking, “ecology” refers to the environment in which we live and develop, physically, emotionally, and philosophically. “Ecology” extends from the natural environment in which organisms exist in a state of continuing to live or exist, always in symbiosis with each other.
While our understanding of ecology may vary, our existence as breathing, inhaling, and exhaling beings remains unchanged and we are always closely connected– a part of the system. Yet, a feeling of alienation permeates the environment, society, technology, politics, and culture. We are used to defining breathing from our own human points of view, but we always forget that breathing is part of daily life of everything. Featuring video works by the five international artists, the exhibition considers nature as well as experiences, desires, and perceptions beyond human-centered cognition.
Here, We Breathe takes place at the Eco Art Museum, a new space at the A4 Art Museum focusing on the theme of “ecology, technology, future” that aims at strengthening emotional connections between urban and natural ecologies through art.
Program
Elena Damiani, Intersticio (2012)
Uudam Tran Nguyen, Waltz of the Machine Equestrians (2012)
La Decanatura (Calderón & Piñeros), Centro Espacial Satelital de Colombia (2015)
Luiz Roque, Zero (2019)
Pedro Neves Marques, The Pudic Relation between Machine and Plant (2016)
Luxelakes • A4 Art Museum (formerly A4 Contemporary Arts Center) was founded by Chengdu Wide Horizon Investment Co., Ltd. in March 2008. Ms. Sunny Sun has been the director since its establishment. In August 2016, it moved to Luxelakes Arts Exhibition Center and formally registered as a private non-profit art museum. Designed by architect Antoine Predock, the main structure covers an area of 3,500 square meters, including three-floor independent exhibition halls, a lecture hall, a library, a Kids Space and an art store. Next to it are our permanent themed exhibition hall——the Eco Art Center and a grand theater of 650 seats. Meanwhile, the 2,400-square-meter Art Center of A4 Artist in Residence International Exchange Program is also opened to the public in 2019. With more multi-dimensional space, professional academic research as well as diversified exhibitions and public activities, A4 hopes to enhance its interaction and cooperation with communities, schools and cities to build a more public synthesis of art museum.
“生态(Eco)”其词源来自于古希腊语中oikos一词,意指由房屋、家庭成员、农田等所有财产组成的大家庭单位。从根本上来讲,“生态”是指我们所生存发展的环境,它从来就不是单一的。当我们在讨论“生态”的时候,我们究竟是在讨论什么?微生物、动植物、人类社会、城市与乡村、宏观与微观的情感联结、物与物、物与我……由物理尺度到哲理尺度,生态从生物体存在的自然环境拓展到更广泛的生存和发展状态,所有的一切自成系统,又彼此共生。
A4美术馆非常荣幸与KADIST影像图书馆再度合作,依托于生态艺术馆的空间场域推出特别放映项目,五位来自不同文化背景的艺术家们的影像作品从不同角度,诠释当下系统和技术景观。我们意欲从多个层面审视过去与现在我们和“生态”的关系,这其中有体验、欲望和一切的感知。“生态”是超出人类中心认知的存在,规则会不断被瓦解而后被重新建立。但不变的是,我们始终在这里呼吸,吸气,呼气,成为系统中的一环。我们紧密相连,又疏离至此,这种割裂感贯穿环境、社会、科技、政治和文化。我们习惯以自身的坐标去定义呼吸,却总是忘记呼吸是万物的共同日常。