Reza Aramesh
Action: 174
In this series of works by Reza Aramesh, the photographed plaster heads, set against the idyllic landscapes of the south of UK, subvert the process of image production and memory. Based on photographic sources from journalism, they have preserved a ‘memento mori’ in the intimate form of a sculpture, yet derived from a source which is not only public but also voyeuristic. They have been entirely dislocated from their original context, and transferred to the realm of photography again, into fragile silver gelatin prints. In this process, Reza Aramesh has expanded our consciousness of death and the body from the public spectacle of torture, towards a place which is sublime and unreachable, where the meaning of violence has been not transformed, but rather temporarily suspended.