Asia

Chen Shaoxiong

Collective Memories: Beijing Hotel

2007

Collective Memories: Beijing Hotel

After engaging primarily with video and photography for more than a decade, Chen Shaoxiong turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” Chen’s series Collective Memories depicts some of the most important architectural works and urban sites in modern Chinese society, especially those related to the history of revolutions. Instead of reproducing the images himself, Chen invited the public to participate in their making by using their fingers to paint directly on the paper or canvas. The resulting paintings made from hundreds of individual thumbprints embody and metaphorize the fragility and uncertain future of collective memories in a time of rapid urban expansion and globalization.

Chen Shaoxiong, was a founding member—along with Lin Yilin and Liang Juhui (and later Xu Tan)—of the well-known artist collective “Big Tail Elephant” which arose in response to the rapid urbanization od Guangzhou in the early 1990s. The group created a large body of multimedia work including performance, photography, video, installation, and paintings. In his solo work, Chen focuses his efforts on the new forms of perception of urban visions and life imposed by the age of information and global travel. Using both new media, like photography and video, and more traditional forms like painting, he produces ironic and uncanny images of a new reality and its constant negotiation between reality and fiction, memory and imagination, past, present and future.

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Chen Shaoxiong Collective Memories: Beijing Hotel

Chen Shaoxiong

Collective Memories: Beijing Hotel