Omer Fast
De Grote Boodschap
Omer Fast’s De Grote Boodschap is based on a temporal loop in which the stories of several duets coexist and interfere with each other. The narrative articulates itself around four key moments or four neighboring apartments that the viewer discovers progressively: an air stewardess having an argument with her unemployed husband, and old lady telling old stories that no longer interest her caregiver, a black woman who is accused of stealing jewelry just when a newcomer, of Arab origin, moves into the apartment block. The narration itself is based on a void or non-event, however its dialogues refer to subjects such as terrorism or iimmigration. Even if the work remains deliberately vague in its global intention, the clash between personal stories and fictional characters of different origins and generations operates as metaphor of our contemporary society.