Patricia Belli
Diálogo [Dialogue]
In the mid-1990s, Patricia Belli started to create soft sculptures that allowed her to reconnect with manual labor and sewing learned from her seamstress mother. Using recycled fabrics and objects collected from friends and second-hand stores in Nicaragua, Belli’s work explored the codification of family space—using dolls, tables, tablecloths, and curtains—making tangible how masculine authority is inscribed onto women’s bodies daily. Produced during her time as an MFA student at the San Francisco Art Institute, Diálogo is part of a group of sculptures that addresses the tension between restriction and agency, imprisonment and liberation, and ultimately, the possibilities and limits of human action in a society with deeply eroded democratic structures. Diálogo is one of the first sculptures in which Belli introduced the concept of balance that accompanied her work in the next two decades. For Belli, these sculptures were also a response to patriarchal hegemony.