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Asia

Wang Jianwei
Dilemma, three way of fork in the road

In Dilemma, three way fork in the road Wang Jianwei references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a variety of foods laid out on a table until they collapse and pile on top of each other. Invoking the traditional Chinese theatrical trope of a “three-way fork in the road,” the piece ruminates on the representation of the visible and the invisible and the simultaneity of past and present as critical reflection on the shortcomings of both antiquarianism and technocratic modernity.

Known for his investigations into the structures of Time, Wang's practice spans a wide range of mediums, including painting, sculpture, video, film, installation, and theatre. His work, profoundly influenced by philosophy, neurology, mathematics and scientific research, primarily concerns notions of experience and perception. Wang has notably coined the idea of "yellow signal", nodal to his practice, which he defines as an intermediary zone where possibilities for a time-lapsed reality can flourish. Within the premises of this concept, he has widely tested and investigated notions of contradiction, limitation and sensory perception in scientific and philosophical terms and in relation to social and historical structures. Wang is drawn to exploring regimes of possibilities within constraining, restrictive systems and reflecting on individuals’ condition in contemporary societies, for he considers himself first and foremost a “sociological observer”.