In Escaped Lunatic, a steady stream of figures run across the screen, sprinting, jumping, and rolling through the streets of Houston. The work is part of a trilogy that borrows its narrative structure from early-20th-century cinema. The artist employs the chase genre, which has often depicted African Americans in scenes of flight from various forms of authority. Jemison, who shot the video with a Houston-based parkour team while she was living in that city, links this narrative structure to a contemporary scene, boldly connecting the unjust conditions of urban life and representation of the black community across time. As the figures move quickly across the screen, they not only appear as doppelgangers of each other, but together become symbols of fugitivity—figures of escape that historically mark black life.