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Middle East & Africa

Omer Fast
Godville Portraits Ten Illustrated Short Stories

Godville is a two-channel video by Omer Fast edited together from a series of interviews with several eighteenth-century character interpreters in Colonial Williamsburg, a living-history museum in Virginia. The museum is actually part of the historical town it recreates, occupying and preserving the town’s buildings and grounds, while training and paying its residents to act out colonial American life. The ten people interviewed in costume represent a cross-section of Williamsburg’s resident actors. The interviews begin in the past and in-character, but deliberately jump to the present, turning the focus to their real lives. Cutting, pasting, and remixing the interviews, the two biographies of each speaker are blended into a rambling whole–intentionally making it difficult for the viewer to follow which of the interviewees’ personality or time period is being discussed. Subsequently, Fast produced a series of portraits of the interviewees, titled Godville Portraits, and illustrated short stories based on the encounters with the ten characters interviewed for the video. The work portrays the story of a town whose residents are unmoored, floating somewhere between the past and the present, between reenactment, fiction, and reality.

Through video and multi-channel installations, Omer Fast enters the lives of individuals, merging personal stories and collective history, in a constant tension between reality and fiction. Fast is fascinated by the cinematographic exploration of liminal figures and professional roles, portrayed while evoking discourses arising from contemporary political and social events, like war and marginalisation. In his technically sophisticated HD videos, Fast shows a particular interest in provoking a ‘productive disorientation’ in the viewer by means of creating doubles, loops and repetitions. But even these loops and repetitions are somehow disrupted, by adding surreal images and special effects that remind the viewer of the need for a certain practice of attention, to solve narrative plots full of hints and intentions but with rare moments of closure.