Miljohn Ruperto

Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways.He is usually depicted with two faces as he looks both forward and backward, to the future and the past. The video, which is deftly animated in collaboration with Aimée de Jongh, presents a close-up of a dying “duck-rabbit,” a vivified version of an ambiguous illustration made popular by the Austrian-British philosopher Ludwig Wittgenstein in his Philosophical Investigations.  One’s attention shifts between seeing a duck and a rabbit, prompted by the animal’s movements and sounds. Its red eyes, wounded body, and belabored breathing suggest the end of life. Just as it appears to take its last breath, however, it inhales again, teetering on the precipice. As the video continues its unceasing loop, a resolution is withheld. In this way, Ruperto makes a connection between the ambiguity of visual perception and the paradox of life and death as embodied by this fragile animal in its final moments.

Miljohn Ruperto works in multiple media, across-disciplines and occasionally in collaboration with others, like Aimée de Jongh. His work emerges from historical and anecdotal events, often involve replicas and enactments, and speculate on the nature of assumed facts and the construction of truth.