Elisheva Biernoff
Last Postcards: Bas Jan Ader, Everett Ruess, and Percy Fawcett
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness. Biernoff’s choice of Everett Ruess, Percy Fawcett, and the conceptual artist Bas Jan Ader is particularly telling. On one level, the Last Postcards analogize the nineteenth-century explorer with the contemporary artist who looks for purpose in their work. This series continues Biernoff’s interest in the construction of myths and, to a certain extent, of utopias, ideas which have deep resonance in the cultural imagery of the West Coast. The careful, painted reproduction of a mass-produced object like a postcard reinforces this fictive aspect.
Elisheva Biernoff's work engages and reconsiders the tradition of painting in an interesting way, often taking source material from media or recreating photographs through a careful trompe d’oeil technique. Thus, her work engages in the discussion of re-representation through painting, not aiming to portray any given reality faithfully but rather as the ideal way to engage with a subject matter that explores the intersection between myths, fictions and fantasies. In some cases, her works also address particular ecological concerns.