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Latin America

Manuel Solano
Los Abuelos

Since becoming blind, Manuel Solano has developed a painting technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands across the surface. In Los Abuelos, the artist works with a canvas the size of their body, allowing for close interaction with the medium. This tactile process creates a complex entanglement of colors, alternating between sharp and blurred details, giving the image an erratic and affective atmosphere, not unlike the way memories often appear to us. Explores themes from the artist’s childhood and family life, the imagery is copied directly from an old photograph owned by Solano’s grandmother, which depicts his maternal grandparents as a young couple, with their first two daughters, the artist’s aunt and mother. Through its striking visuality, Solano’s painting reminds us that what constitutes us is a combination of our interactions with the images we come across and to which we are subject to. By delving into this highly personal repertoire, we can analyze and deprogram involuntarily inherited social structures and power relations.

Manuel Solano, who is non-binary and prefers plural pronouns, was an emerging 26-year-old artist when they lost their sight to an HIV-related infection in 2013. Unwilling to be hindered by their condition and urged on by their friends, Solano returned to work. But rather than the experimental art of their earlier years, they began anew with a series of expressive portraits and word paintings, titled “Blind Transgender with AIDS”. Working almost exclusively with paint on either canvas or paper, mining their memories of pop culture and past times while applying the paint with their hands, Solano created an impressive body of work. Because Solano draws from memories, the pop stars and formidable female figures they select for commemoration are an autobiographical pantheon of the painter’s formative influences. While Solano transcends fixed gender in their personal identity, their work has the electric energy that drag generates from the friction between exaggerated gender stereotypes.