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Latin America

Pedro Reyes
Machine Music (Embroidered Tank I)

Pedro Reyes’s Machine Music (Embroidered Tank I) merges themes of conflict and creativity through an innovative blend of materials and concepts. The work features a chromogenic print of a military tank collaged onto canvas with meticulously embroidered streaks of red, white, blue and orange ascending from the machine, transforming an instrument of war into an expression of color, form, and texture.The intricate patterns and vibrant threads contrast sharply with the cold, hard lines of the tank, creating a visual and thematic tension. This juxtaposition challenges the viewer to reconsider the relationship between destruction and creation. Reyes uses traditional embroidery techniques to symbolize a reclamation of violence for the purposes of beauty, creativity, and introspection. Through this transformation, Reyes critiques the militarization of society and suggests a hopeful vision where art and culture can subvert and repurpose symbols of aggression.

Pedro Reyes’s work traverses art, film, architecture, design, social criticism, and pedagogy. Educated as an architect, Reyes draws on this training to engage with utopian aspirations and the ongoing legacy of Modernism, often focusing on issues of scale and space while questioning pressing social issues through the incitement of individual or collective interaction. Although only a few of his works are directly located within the practice of building, almost all involve some kind of construction, whether they are objects, models, interiors, or social spaces. Reyes also makes use of strategies developed for communication or education, as well as everyday humor, to engage his audiences. Many of his works either allow large-scale public engagement or suggest a possible use: weapons turned to shovels, multilevel parks in old modernist buildings, and small spherical rooms. Like many avant-garde thinkers of the past, Reyes constructs forms of architecture necessary for new ways of life.