Li Ming
Movement
In the eight-channel video installation Movement Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward. Running, skating, sliding on a trolley, chasing lifts from bicycles, trucks, excavators, tuk-tuks, all form part of his journey. The synchronization of the eight videos binds the parallel narratives together, creating the effect of the artist chasing his own image in an endless loop unraveling across the same city-scape. The use of repetition and seriality is a deceptive impression of linearity, echoes the illusion of time/space that is commonly used in Hollywood films.