Elyla
Ofrenda
Ofrenda [Offering] by Elyla Sinvergüenza includes a single-channel video and the mask used in the performance. The video is a recorded action of the artist, who appears removing a sieve mask that was pinned to the skin of their face, leaving a trail of blood that falls on their naked, mud-covered body.
Worn in El Baile de las Negras, a colorful dance performed by men dressed as women, the mask originates from Indigenous celebrations in Monimbó, Nicaragua. In the late 1970s, this mask was adopted by young rebels during the popular insurrection against the dictatorship of Somoza in Nicaragua—they even became iconic in the photographs of Susan Meiselas. More recently, the masks were embraced and resignified by the LGTBQI+ community reclaiming alternative memories of anti-colonial resistance, which included early performances by Elyla, such as Solo Fantasía (2014). After removing the mask, the artist puts it inside her mouth to chew it and then spit it out. The work is a ritual action that addresses the complexities of the transgender body, the violence contained in mestizaje, the ideology of whitening, and the colonial wounds derived from the erasure of ancestral heritage.