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Baseera Khan
Purple Heart (Psychedelic Prayer Rugs)

Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a brief passage from an Arabic poem, and the Purple Heart medal. Visually seductive yet charged with political and symbolic associations, the rugs bridge elements of American popular culture with aspects of Islamic worship that may be misunderstood in contemporary secular contexts. Encouraged by Khan to take their shoes off and interact with the rugs, viewers participate in a decolonizing process as they meditate on their poetic allusions or perform the traditional salat, the daily prayers that constitute one of the five pillars of Islam, the others being faith, charity, fasting, and pilgrimage to Mecca. Khan’s vibrantly colored handmade wool rug Purple Heart overlays block motifs with the inscription ‘I am muslima’ emblazoned across the width of the rug. 

Baseera Khan is a New York-based artist whose multi-medium work attempts to resist the volatile social environments of capitalist-driven societies. Marrying elements of American consumer culture with Islamic spiritual practice, Khan gives visual form to the ways in which experiences of kinship, exile, and spirituality are shaped by pop cultural, economic, and social conditions. Her textile, sculpture, and performance works reflect Khan’s self-identification as a queer femme Muslim within the context of her Indian-Iranian-Afghani heritage and Texan immigrant experience, offering complex alternatives to the stereotypes of Islamic identity — particularly of Muslim womanhood — that Islamophobia manifests. At a time when many still question whether Muslim women can be empowered by their faith-based practices, Khan’s work seeks to disrupt sites of othering, censorship, and erasure: “iamuslima,” the artist’s first solo exhibition in New York, was titled after the term “Muslima” Khan had Nike stitch the word onto a pair of shoes in protest of the company’s ban of the words “Islam” and “Muslim” on its customizable sneaker models.