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Latin America

Mario García Torres
September 2007

Mario García Torres’s September 2007 is a contemplative artwork that engages deeply with themes of memory, temporality, and historical narrative. This film composed of slides reflects on a specific moment in time, inviting viewers to explore the nuances and implications of that period. García Torres often employs a minimalist aesthetic, and in September 2007 he utilizes subtle visual cues and sparse, deliberate composition to evoke a sense of introspection. The film includes text, photographic elements, and abstract forms, each chosen to provoke thought and reflection about the significance of the date. By isolating a particular moment, García Torres encourages viewers to consider the layers of meaning and personal connections associated with time and history. September 2007 exemplifies his ability to blend conceptual rigor with emotional depth, transforming a seemingly ordinary date into a profound meditation on the passage of time and the stories embedded within it.

Mario García Torres is a conceptual artist who engages with various media in his practice, including film, sound, performance, what he refers to as “museographic installations”, and video. García Torres often cites untold or minor histories, with a predilection for avant-garde art and music from the 1960s and 70s as departing points for his work. He has recreated historical exhibitions and has even ‘completed’ unfinished artworks, often blurring original and reenactment, past and present, while questioning universal ideas about truth, certainty and time – all core ideas in the development of his body of work.