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North America

Ellen Lesperance
Somewhere Along the Black Sea in the Distant North-East, or in Libya in the Furthest South, The Amazons – The Woman and the Girls Children – Exist Just Outside of the Range of Normal Human Experience

Ellen Lesperance’s artwork, Somewhere Along the Black Sea in the Distant North-East, or in Libya in the Furthest South, The Amazons – The Woman and the Girls Children – Exist Just Outside of the Range of Normal Human Experience, is a painting and separate textile work in the form of a sweater that blends mythology, feminism, and historical narrative. In the gouache painting, Lesperance pairs the sweater pattern with a quote from the classicist Peter Walcot, who described the Greek’s attitudes towards the Amazons. His words confirm a certain lack of understanding of female power: “Wherever the Amazons are located by the Greeks, whether it is somewhere along the Black Sea in the distant north-east, or in Libya in the furthest south, it is always beyond the confines of the civilized world. The Amazons exist outside the range of normal human experience.” The dual artwork offers an alternative portrayal of the legendary Amazons, a matriarchal society of warrior women. Lesperance employs a meticulous and textured technique to create a rich, detailed composition that captures the strength and mystique of these mythical figures. Challenging conventional narratives, Lesperance’s work celebrates the Amazons as symbols of resilience and autonomy while questioning their place in historical consciousness. This work invites viewers to contemplate the boundaries of historical and contemporary gender roles, and the ways in which female empowerment has been mythologized and marginalized.

Ellen Lesperance is celebrated for her intricate and thoughtful approach to memorializing activism through art. Her artistic process begins with archival footage of various activist events throughout history, where she meticulously studies and isolates the clothing worn by the activists. Identifying objects that resonate with the ideological goals of their wearers, Lesperance re-imagines these garments as knitting patterns for the activists’ sweaters. Using gouache and graphite, she carefully renders these patterns on tea-stained paper, imbuing each piece with a sense of history and reverence. By focusing on the smallest details of social protests, Lesperance aims to cement these moments in our collective memory, highlighting the intersection of craft, activism, and historical preservation. Her work has been widely exhibited and acclaimed for its unique blend of artistic skill and social commentary, offering a poignant reflection on the enduring impact of activism and the power of collective action.