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Europe

Pol Taburet
A Couple

A Couple by Pol Taburet depicts two vaguely human figures rendered in the artist’s hallmark primary and secondary color scheme, encompassed by a vast background of deep black. Toying with juxtapositions of flatness and depth, as well as a variety of visual and physical textures, Taburet captures moments of transformation and mutation by contrasting and confronting forms in his paintings. Despite their anatomical human attributes such as ears, mouths, hands, and breasts, the artist’s use of airbrush techniques to depict these features emphasize the figures’ ghostly or alien qualities. Often rendering glowing auras within or around his figures, Taburet considers the airbrush as a tool that feeds his pictorial language. Distorting bodily markers of traditional masculinity and femininity, this work represents the transformation of human bodies into other-worldly figures. In this conceptual vein, the circus, carnivals, and Caribbean mythology are major inspirations in this work and many of Taburet’s paintings. By embodying notions of transmission and transformation, such themes offer a wealth of images, references, and stories that expand the artist’s formal language. The artist explains that there is a creolisation inherent in Caribbean mythology; it has resisted many attempts at suppression and erasure, so in order to survive, these ideas and narratives have mutated, not unlike the figures in his paintings.

Pol Taburet’s striking figurative paintings depict beings on the edge of humanness. Synthesizing art history and popular culture, Taburet draws inspiration from eclectic sources such as Caribbean mythology, lap-dance culture, voodoo rituals, trap music, video games, Sufi poetry, and Grimm’s fairy tales, as well as art historical figures such as Francis Bacon and Francisco de Goya. Taburet’s work also pays tribute to the women in his family and the rites and figures linked to the quimbois, a set of voodoo beliefs and practices born in Guadeloupe, from which he partly originates. Ultimately, Taburet’s work challenges the canon of what is considered beautiful, transforming the grotesque into something erotic.