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Europe

Martin Creed
Work No. 335: THINGS

Work n 335: THINGS is a pink neon light sculpture by Martin Creed, and part of a larger series of neon works called Flashing One Second On, One Second Off. As the title of the project describes, the neon sign repeatedly lights up in bright pink for one second, and then turns off for one second, revealing the mechanisms behind its halcyon glow. Reduced to a single word that disappears every other second, the work is illuminated as quickly as it is extinguished. Referencing the technicolor advertising strategies of the 1980s and 1990s, the work both offers and revokes the unattainable promise of consumerist fulfilment. As with much of Creed’s work, the neon sculpture interrogates the role and value of art in both social and economic contexts. Humorous and simple, the work is an effective example of Creed’s artistic philosophy.

Working in sculpture, film, performance, installation, Martin Creed’s practice constantly reappraises things, nothings and all incumbent relations. Working within a minimal or conceptual mode, most of his artworks, objects, statements, suggestions, and performances are titled Work and numbered. He wittily subverts the definitions of art and often uses mundane and modest materials such as Blu-Tack, balloons, tape, or piles of paper. Work No. 81 (1993) consists of a one-inch cube of masking tape in the middle of every wall in a London firm. Work No. 200 (1998) proposes “the air in a given space” by filling it with balloons. During 5 months in 2008, Work No. 280 had London runners sprinting one by one through the Duveen Galleries in Tate Britain. Yet the artist’s hallmark anti-materialism is occasionally counteracted, as in the marble staircase realized for the city of Edinburgh in The Scotsman Steps (2011) or the artist’s bronze sculptures.